"Based in the Atlanta-metro area, Oakland, CA, Cambridge, MA, and New York, we are a dynamic and diverse national team of scholartists, artists, and activists divinely put together to bring to life the story of the 1901 Buffalo, NY World’s Fair. At the heart of our collaborative process lies (1) our intention to tell history “right” by making actual archival material live, breathe, speak, and interact on stage; (2) our conviction that theatre/performance are the most urgent vehicles to explore and explode anti-blackness; and (3) our radical openness to collaboration where we function in an almost-entirely non-hierarchical approach to art making." 

The Creative Team

Meet the creative minds behind AT BUFFALO.




Dr. Amma Y. Ghartey-Tagoe Kootin (a.k.a. Dr. Amma) creates artistic works based on archival research and writes about late 19th century black performance. A professor at the University of Georgia, she bridges the worlds of academia and arts/entertainment—also, having worked for the National Endowment for the Humanities, National History Day, Inc., and A&E® Networks/The History Channel (THC). Dr. Amma’s creative research has appeared nationally and internationally at universities, conferences, and in academic journals; and has garnered numerous awards including a $45,000 Innovative Seed Grant (CU-Boulder), a Mellon Postdoctoral Fellowship; and a Ford Foundation Fellowship. In 2006, her educational work for THC’s Peabody-award winning documentary Save Our History: Voices of Civil Rights received the Beacon Award, cable television’s highest honor for public affairs. In addition to At Buffalo, she has a forthcoming book entitled Laughing after Slavery, which explores the relation between laughter and the American slave experience. Dr. Amma holds an A.B. in Afro-American Studies from Harvard University and an M.A., Ph.D. in Performance Studies from NYU’s Tisch School of the Arts.




Dr. Joshua Williams is a writer, director, teacher and scholar. In 2007, New York Magazine named him "a star of tomorrow" on the basis of his forthcoming novel, Live To Tell Me So. His plays have been produced or developed at Theatre Intime, Princeton University, the Capital Fringe Festival, UC Berkeley, CU Boulder, the New York Musical Theatre Festival, CAP 21, Ars Nova's ANT Fest, SUNY Buffalo, the Rhinebeck Writers' Retreat and Play Ground San Francisco / Thick House. He was a 2012-2013 member of the PlayGround San Francisco Writing Pool and had two of his short plays read at Berkeley Repertory Theater. In 2011, he directed the North American premiere of Ebrahim Hussein's Kinjeketile at UC Berkeley. Currently a preceptor of expository writing at Harvard University, Williams’s academic research concerns the political figure of the animal in East African theatre and performance. His articles, essays and reviews have appeared in ASTR Online, Theatre Journal, The Johannesburg Salon, Theatre Survey, Africa is a Country, HowlRoundBrittle Paper and The Los Angeles Review of Books. Williams holds an A.B. from Princeton University in Comparative Literature with certificates in African Studies and Creative Writing, an M.A. from the School of Oriental and African Studies at the University of London, also in Comparative Literature, and a Ph.D. in Performance Studies at the University of California Berkeley. www.jdmwilliams.com




Khalil Sullivan is a musician, scholar of popular music and popular performance, and Ph.D. candidate at the University of California, Berkeley. He is also the Band Leader, Composer, and Lead Vocalist for the six-piece ensemble MAD NOISE, which received the distinction of being selected by the US State Department's American Music Abroad (AMA) program to take part in a diplomatic music tour to Senegal, Gambia, Guinea-Bissau, and Equatorial Guinea in December 2015. The ensemble has won several awards in the SF Bay Area, including Best Band in the Bay (SF Bay Guardian, 2011, 2012, & 2013), Best Hyperliterate Busking Outfit (SF Weekly, 2011), Best Local Band (Daily Californian, 2011); and have performed at a variety of local music clubs, venues and alternative spaces including Yoshi’s (SF), Great American Music Hall (SF), Hotel Utah (SF) The Uptown (Oakland). In his spare time, he also plays guitars for San Francisco, CA-based punk band, The Truants. Sullivan holds an A.B. in English (Theatre minor) from Princeton University.   http://madnoisemusic.com/



Deadria Harrington is a New York City-based creative producer, artist and member of the Producing Artistic Leadership Team of The Movement Theatre Company. With The Movement she has developed numerous new works by emerging artists of color, most recently NY Times Critics Pick, What To Send Up When It Goes down, by Aleshea Harris, directed by Whitney White. Producing credits include: And She Would Stand Like This by Harrison David Rivers, directed by David Mendizábal and choreography by Kia LaBeija (The Movement), The Architechture of Becoming (WP Theater), AT BUFFALO (NYMF, UB Buffalo Creative Arts Initiative, CAP21), Alligator (New Georges). Harrington was a Time Warner Foundation Fellow of the 2012-2014 Producers Lab at Women’s Project Theater, a Next Generation Leader of Color at the 2014 Latinx Theatre Commons National Convening and is currently the Associate Director/Producer at New Georges. She holds a B.A. in Drama and Psychology from Vassar College.

At Buffalo - The Musical 

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